Newly restored 4K version of The Happiness of Still Life now available for screenings at museums, universities, and theaters. (27 min)
A haunting exploration in images and sound of bourgeois domesticity in post-Napoleonic Vienna, and its unavoidable path to romanticism and revolution. The film also illustrates the explosive impact of new industrial technologies and the resulting disruption of long-established social hierarchies. Music exclusively by Schubert (with one short interlude of Johann Strauss). Originally broadcast in 1989 on ORF (Austrian Public Television). Shown worldwide, won prizes in Europe and the USA, in the permanent collections of many museums.






"This brilliantly crafted film essay is infused with a love of detail, but without our own trademark Austrian habit of white-washing history. Thus the film not only explores the brutal reality of child labor in those days, but also concludes with the ominous opening lines of Marx’s Communist Manifesto." (12/1989)
"In just 27 minutes and eight short scenes, [Andrea Simon’s film essay ] unmasks that peculiar era during which inwardness and domesticity were the arduously maintained disguise that hid a roiling abyss of pre-revolutionary turmoil: fierce political repression, overwhelming technological innovation, dangerously underestimated social upheavals. Shooting on location in Austria and drawing exclusively on original texts of the period, the American filmmaker skillfully evokes [delicately feels her way into] a time and place that, just a few years after the end of the Napoleonic Wars, became the first quintessentially bourgeois society of the modern age. Small everyday objects become virtuosic bit players: sewing baskets, diaries, exquisitely painted lockets and teacups -- and Biedermeier chairs whizzing across the screen in an impressive ballet." (12/21/1989)